SUBSCRIBE

Get new posts by email:

How to Use this Blog

BOOZHOO! We've amassed tons of information and important history on this blog since 2010. If you have a keyword, use the search box below. Also check out the reference section above. If you have a question or need help searching, use the contact form at the bottom of the blog.



We want you to use BOOKSHOP! (the editor will earn a small amount of money or commission. (we thank you) (that is our disclaimer statement)

This is a blog. It is not a peer-reviewed journal, not a sponsored publication... WE DO NOT HAVE ADS or earn MONEY from this website. The ideas, news and thoughts posted are sourced… or written by the editor or contributors.

EMAIL ME: tracelara@pm.me (outlook email is gone) ALMOST THREE MILLION VISITORS!

SEARCH

Monday, March 7, 2022

Indigenous Filmmakers: Ryan RedCorn (Reservation Dogs) | Adam Piron to lead Sundance Institute's Indigenous Program

If you got a chance to watch the Reign of Terror episode on the CNN series, “This is Life with Lisa Ling,” he was one of the producers. If you’ve ever heard of a little hit show called “Reservation Dogs” on HULU, he’s one of the writers for its highly anticipated second season.

 Indigenous Filmmakers: Q&A with Ryan RedCorn https://t.co/e1UnoVSNSn via @osagenews

 


Adam Piron (Kiowa and Mohawk Tribes ) to lead Sundance Institute’s Indigenous Program
(LOS ANGELES, March 3, 2022) — Sundance Institute today announced that Adam Piron, a longtime staff member of the Institute’s Indigenous Program, has been named the Director of the Indigenous Program. In this new role, Adam will lead Sundance’s  engagement and investment in global Indigenous storytellers and will take over the Director position that Bird Runningwater left several months ago.

The Institute’s commitment to supporting Indigenous artists is woven throughout its history; amplifying President and Founder Robert Redford’s original vision, the Institute has remained committed to supporting the voices of Indigenous artists. The Indigenous Program has built and sustained an Indigenous film circle, which now spans over four generations. The cycle of work begins by scouting for and identifying Indigenous artists, providing a year-round support system at Sundance Institute to get their work made and shown, and then bringing the filmmakers and their work back to Native lands. The Native Lab has been a vital part of supporting Indigenous filmmakers since 2004; and the Merata Mita and Full Circle Fellowships offer further support to emerging Indigenous voices.

“It’s been a privilege to collaborate with colleagues in devising ways to support Indigenous storytellers at every stage in their career,” said Piron. “I look forward to leading this work with heart, vision and experience.” 

“Adam’s unflagging commitment to Indigenous artists and his vision of how best to bring their stories to life, has long been a source of inspiration for the Institute,” said Michelle Satter, Founding Senior Director of the Institute’s Artist Programs.

Piron belongs to the Kiowa and Mohawk Tribes and was raised in Phoenix, Arizona. In addition to the Director, Indigenous Program role, he also serves as a short film programmer for the Sundance Film Festival. Prior, he was the Indigenous Program’s Interim Director, Associate Director, and Program Manager. He is a co-founder of COUSIN, a film collective dedicated to supporting Indigenous artists experimenting with and pushing the boundaries of the moving image. He was previously the film curator at the Los Angeles County Museum of Art (LACMA). He received his BA in Film Production from the University of Southern California's School of Cinematic Arts.

He currently serves on the Editorial Advisory Board of Seen, a journal produced by BlackStar examining the visual culture of communities of color, featuring interviews, reviews and essays about Black, Brown and Indigenous visual culture. He concurrently serves on the Board of Trustees and Programming Committee of the Robert Flaherty Film Seminar as well as on the Indigenous Advisory Board for TIFF. He has also been on advisory panels for Canyon Cinema, the Herb Alpert Award in the Arts, The Jerome Foundation, The Princess Grace Awards and the Rolex Mentor and Protégé Arts Initiative.

Sundance Institute

As a champion and curator of independent stories for the stage and screen, the Sundance Institute provides and preserves the space for artists in film, theater, film composing, and digital media to create and thrive.

Founded in 1981 by Robert Redford, the Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes AlwaysZola, On the Record, Boys State, The Farewell, HoneylandOne Child NationThe Souvenir, The Infiltrators, Sorry to Bother You, Won't You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale StationCity So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

 

No comments:

Post a Comment

Please: Share your reaction, your thoughts, and your opinions. Be passionate, be unapologetic. Offensive remarks will not be published. We are getting more and more spam. Comments will be monitored.
Use the comment form at the bottom of this website which is private and sent direct to Trace.


Happy Visitors!

Blog Archive

Featured Post

Theft of Tribal Lands

This ascendancy and its accompanying tragedy were exposed in a report written in 1924 by Lakota activist Zitkala-Sa, a.k.a. Gertrude Simmon...


Wilfred Buck Tells The Story Of Mista Muskwa

WRITTEN BY HUMANS!

WRITTEN BY HUMANS!

Most READ Posts

Bookshop

You are not alone

You are not alone

To Veronica Brown

Veronica, we adult adoptees are thinking of you today and every day. We will be here when you need us. Your journey in the adopted life has begun, nothing can revoke that now, the damage cannot be undone. Be courageous, you have what no adoptee before you has had; a strong group of adult adoptees who know your story, who are behind you and will always be so.

Diane Tells His Name


click photo

60s Scoop Survivors Legal Support

GO HERE: https://www.gluckstein.com/sixties-scoop-survivors

Lost Birds on Al Jazeera Fault Lines

Lost Birds on Al Jazeera Fault Lines
click to read and listen about Trace, Diane, Julie and Suzie

ADOPTION TRUTH

As the single largest unregulated industry in the United States, adoption is viewed as a benevolent action that results in the formation of “forever families.”
The truth is that it is a very lucrative business with a known sales pitch. With profits last estimated at over $1.44 billion dollars a year, mothers who consider adoption for their babies need to be very aware that all of this promotion clouds the facts and only though independent research can they get an accurate account of what life might be like for both them and their child after signing the adoption paperwork.


click THE COUNT 2024 for the ADOPTEE SURVEY

NEW MEMOIR

Original Birth Certificate Map in the USA

Google Followers


back up blog (click)