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Support Info: If you are a Survivor and need emotional support, a national crisis line is available 24 hours a day, seven days a week: Residential School Survivor Support Line: 1-866-925-4419. Additional Health Support Information: Emotional, cultural, and professional support services are also available to Survivors and their families through the Indian Residential Schools Resolution Health Support Program. Services can be accessed on an individual, family, or group basis.” These & regional support phone numbers are found at https://nctr.ca/contact/survivors/ . THANK YOU MEGWETCH for reading

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Friday, September 30, 2022

TIFF: ‘Bones of Crows’ conveys so much pain… and joy in spite of it

TIFF ’22 Review

A scene from 'Bones of Crows'
A scene from 'Bones of Crows' courtesy of TIFF

‘Bones of Crows’ is an emotional account of the intergenerational trauma caused by the Canadian residential school system.

The Canadian history taught in school is a whitewashed version of the truth, omitting much of the country’s sordid relations with its Indigenous populations, which have continued to have negative effects to this day. The last few years have brought appalling revelations that had been covered up and ignored for so long. After years of silence and denial, the government formed The Truth and Reconciliation Commission, providing an avenue for those directly and indirectly affected by the legacy of the Indian Residential Schools system to share their stories and experiences. Bones of Crows is a fictional account of one woman’s life before, during and after being forcibly placed in the system.

Born in the 1920s to a large and happy family, Aline Spears (Grace Dove) and her three siblings were taken from their parents under threat of prison and sent to residential schools. There, they were subjected to horrific physical, emotional and sexual abuse at the hands of the priests and nuns who oversaw their education. As a teen, Aline enlists in the military, where she meets her husband, Adam (Phillip Lewitski), and is eventually recruited for a special operation that uses Cree to transmit secret messages during World War II. After the war, they return to Canada to raise their children. But she is haunted by the years of cruelty she endured, only finally able to confront her abusers in her ‘80s.

There are news stories, a day of reflection and professional sensitivity training, but they don’t capture the impact and scars of this institution of abuse as well as a film is able. The narrative does an exceptional job interweaving so many experiences, traumas and repercussions into a single movie. It highlights the anguish of families forcibly separated, in many cases permanently; the degradation spewed by the clergy who view their charges as less than human; the punishment for any miniscule attempt to maintain the culture and language the schools were meant to eradicate; the widespread abuse and intentional neglect as superiors boast about keeping the children in a state of malnutrition during their own feasts; the countless deaths due to disease and mistreatment; the sexual assaults that steal their innocence and fill their nightmares; the substance abuse to hide from the pain of their memories; the suicides when the hurt becomes too much; and so much more. It also touches upon the numerous unsolved deaths and disappearances of Indigenous women and girls in Canada.

Nevertheless, it’s also a story of joy, strength and triumph, both fleeting and lifelong. As a child, Aline enjoyed sing-alongs and family meals. She and Adam shared a lot of love, which produced equally loved children who grow up to have successful careers and their own children. Aline engages her love of music by playing the piano and passes the skill on to her granddaughter. One must savour the good through the bad and the movie strives to capture both, revelling in the joys and not cowering from the sorrows. This is the story of one family, but it represents the tale of thousands of Indigenous people across the country, giving voice and audience to their lived experiences.

Bones of Crows had its world premiere in the Discovery programme at the Toronto International Film Festival.

Read other reviews from the festival.

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Canada's Residential Schools

The religious organizations that operated the schools — the Anglican Church of Canada, Presbyterian Church in Canada, United Church of Canada, Jesuits of English Canada and some Catholic groups — in 2015 expressed regret for the “well-documented” abuses. The Catholic Church has never offered an official apology, something that Trudeau and others have repeatedly called for.

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Veronica, we adult adoptees are thinking of you today and every day. We will be here when you need us. Your journey in the adopted life has begun, nothing can revoke that now, the damage cannot be undone. Be courageous, you have what no adoptee before you has had; a strong group of adult adoptees who know your story, who are behind you and will always be so.

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As the single largest unregulated industry in the United States, adoption is viewed as a benevolent action that results in the formation of “forever families.”
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Why tribes do not recommend the DNA swab

Rebecca Tallbear entitled: “DNA, Blood, and Racializing the Tribe”, bearing out what I only inferred:

Detailed discussion of the Bering Strait theory and other scientific theories about the population of the modern-day Americas is beyond the scope of this essay. However, it should be noted that Indian people have expressed suspicion that DNA analysis is a tool that scientists will use to support theories about the origins of tribal people that contradict tribal oral histories and origin stories. Perhaps more important,the alternative origin stories of scientists are seen as intending to weaken tribal land and other legal claims (and even diminish a history of colonialism?) that are supported in U.S. federal and tribal law. As genetic evidence has already been used to resolve land conflicts in Asian and Eastern European countries, this is not an unfounded fear.

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In some cases, companies may even take it upon themselves to control the narrative according to their own politics and professed values, with no need for government intervention. For example: Google, the most powerful information company in the world, has been reported to fix its algorithms to promote, demote, and disappear content according to undisclosed internal “fairness” guidelines. This was revealed by a whistleblower named Zach Vorhies in his almost completely ignored book, Google Leaks, and by Project Veritas, in a sting operation against Jen Gennai, Google’s Head of Responsible Innovation. In their benevolent desire to protect us from hate speech and disinformation, Google/YouTube immediately removed the original Project Veritas video from the Internet. - https://desultoryheroics.com/2023/11/12/internet-censorship-everywhere-all-at-once

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